Top

Apple iTunes Event: iPad iTunes magazine+newspaper subscriptions

November 15, 2010 by · Leave a Comment 


Beyond Apple’s declaration that tomorrow’s announcement/event/webcast/whatever it is will have an iTunes focus, the company hasn’t given any clue what the product or service might be, nor is there any clear-cut leading candidate. But rather than tossing around left-field ideas that are missing from Apple’s iTunes strategy for the good reason that they’re not sound ideas to begin with (music subscriptions and so on), a more fruitful approach is to look at the pieces of the the puzzle that are missing from Apple’s existing iTunes strategy. And with the iPad such an obvious device for content consumption, the fact that Apple still offers no official method for publishers to get their magazines or newspapers onto the iPad or even iPhone is perhaps the most glaring hole in the entire equation.

Apple’s magazine and newspaper strategy for the iPad up until now has consisted of nothing more than allowing publishers to build an app if they want, with no real guidance as to how they should be going about it. ePub good, Adobe bad, has been about Apple has been willing to say on the subject. iTunes already has a massive subscription section, but it’s only for podcasts. And while you can run a PDF of your magazine issue through iTunes via podcast subscription (that’s how Beatweek Magazine has been doing it since 2007, for the record), it’s far too do-it-yourself and hands-off to fit into Apple’s plans long term. But if Apple ever finally gets around to launching an officially sanctioned magazine and newspaper stand within the iTunes Store, either tied into the app method of delivery or as its own beast, now that would be something to write home about. It would change the face of newspapers and magazines forever, effectively bringing and end to the “print” portion of print publications even more quickly, and at least in the longview, would in fact be a day in publishing history which would never be forgotten by those who consume magazines and newspapers, this living up to Apple’s tagline for tomorrow.

Beatweek 2010 Hot and Rising issue: Orianthi, iPhone 4, Saving Abel and much more

June 8, 2010 by · 3 Comments 

Beatweek Magazine’s 2010 Hot and Rising issue:

• interviews with eleven musicians on the rise: Orianthi, Saving Abel, The Young Veins, Colbie Caillat, Noush Skaugen, VV Brown, Daniel Merriweather, Jason Derulo, Never Shout Never, Angel Taylor and Nikki & Rich.

• the scoop on Apple’s hot new iPhone 4

• games and apps on the rise including iMovie, FarmVille, Twitter, and Skype 2.0

• the hottest upcoming events including BlogWorld Expo and Macworld 2011

Thank you to those of you who’ve been with us going back to 2004, and those who’ve found us along the way. In between issues, keep an eye on beatweek.com for the latest news, interviews and reviews published all day long.

Read this issue now

Read this issue with GoodReader on your iPhone, iPod Touch or iPad

Subscribe

Beatweek Magazine #71: Sevendust, Shelby Lynne, iPad FAQ

May 3, 2010 by · 1 Comment 

Sevendust have been one of the most vital aggressive rock bands of the past decade and a half, and their new album Cold Day Memory has the ban on its biggest upswing in years – and lead singer Lajon Witherspoon gives us the scoop on all of it. Meanwhile, country singer Shelby Lynne tells us all about her new album Tears, Lies, and Alibis, her first release since becoming an indie artist. We also talk with Derek and the Darling and take a look at Saturday Night live.

On the tech side we’ve got bargain apps for iPad and iPhone along with a new Twitter app and a review of Sonic the Hedgehog 2 plus reviews of new iPad cases.

Thank you to those of you who’ve been with us going back to 2004, and those who’ve found us along the way. In between issues, keep an eye on beatweek.com for the latest news, interviews and reviews published all day long.

Read this issue now

Subscribe

Beatweek Magazine #71: Sevendust, Shelby Lynne, iPad FAQ, bargain apps and more

May 3, 2010 by · Leave a Comment 

Sevendust have been one of the most vital aggressive rock bands of the past decade and a half, and their new album Cold Day Memory has the ban on its biggest upswing in years – and lead singer Lajon Witherspoon gives us the scoop on all of it. Meanwhile, country singer Shelby Lynne tells us all about her new album Tears, Lies, and Alibis, her first release since becoming an indie artist. We also talk with Derek and the Darling and take a look at Saturday Night live.

On the tech side we’ve got bargain apps for iPad and iPhone along with a new Twitter app and a review of Sonic the Hedgehog 2 plus reviews of new iPad cases.

Thank you to those of you who’ve been with us going back to 2004, and those who’ve found us along the way. In between issues, keep an eye on beatweek.com for the latest news, interviews and reviews published all day long.

Read this issue now

Read this issue with GoodReader on your iPhone, iPod Touch or iPad

Subscribe

Adam Lambert interview

April 13, 2010 by · 107 Comments 

Who says you can’t go home again? Back from traveling around the world to promote his debut album For Your Entertainment, Adam Lambert is revisiting his old stomping grounds this week as he gears up for the role of contestant mentor on tonight’s episode of American Idol. In our Beatweek cover story interview, Adam talks about why he’s chosen to release the singles that he has, why he’s never turned his back on Idol, what went into his Remixes EP and VH1 Unplugged performance which both surfaced this week, what we can learn from his friendly relationship with Kris Allen, and what he’s got on tap for that U.S. summer tour that his fans have been clamoring for in our cover story interview for Beatweek Magazine’s 69th issue, released today.

You’ve been all over the world lately. You were in Japan, and now Canada?

It’s non stop. It’s a rollercoaster [laughs]

And yet you were home just in time for the earthquake.

That’s true, yes. I had that day off. I had a wonderful lunch that day. It was like two Mimosas in, and I thought “Is this a really strong Mimosa or am I tripping?”

When you were putting together the album, did you have a sense that Whataya Want From Me was going to be a big hit, or did that surprise you?

No, actually it was kind of a consensus that it would be well received on radio and that people would like it. It’s real catchy. When I finally heard the first demo, I thought the production was, I was like ooh God, it sounds just beautiful, just the quality of the way that the vocals were mixed, and the beats and the keyboards and everything, and I knew it would be great. So yeah it was definitely something that we knew.

I think the reason that we went with the first single, For Your Entertainment, is I just wanted to do something a little unexpected, and Whataya Want From Me is a little bit more straight ahead, you know? In some respects it has a little bit more mass appeal, but [laughs] it has its positives and its negatives. But I’m kind of subversive and contrary by nature, so it’s like “I want to do what people don’t think I’m gonna do.” It’s more entertaining, you know?

For Your Entertainment was something that I didn’t think anybody would expect, and it’s not your typical kind of Idol first single, so I wanted to just do something a little different.

When you listen to Whataya Want From Me it seems like there’s two ways the lyrics could be interpreted, you talking to someone you’re in a relationship with, or maybe you talking to your whole fanbase or the whole world. Is there validity to both those interpretations?

You know, actually I think there is validity there. I think that when I first heard the song, I thought automatically, it’s just about a relationship, that’s usually what songs like that are written about. And I thought it was beautiful, because I thought the way in which it’s talking about it is so universal, like we’ve all felt, you know what I mean, at one time or another, in some way, and so I was really into it.

And then the more and more I started thinking about it, right after the whole AMA debacle, and I was getting a lot of backlash for that, the first song that we wanted to perform was Whataya Want From Me, as almost a response. It was kind of unintentional, but when I realized that that’s what I was singing, after dealing with all that and having interviews about “Why, why did you do that, what were you thinking?” You know, I thought Whataya Want From Me, wow, that really fits. It really fits the tone of where I’m at right now. So I thought that was kind of cool. It plugged into me addressing the media and the public. And so with the video, we definitely tried to kind of show both angles of that.

For half the video you’re not wearing a lot of makeup, your hair is combed down. It seemed like you were trying to show a vulnerable side of yourself.

It always comes down to the song for me. I think that was kind of evident on Idol. It’s like if the song was crazy and over the top and fun and playful, I dressed accordingly, you know what I mean? But if the song is more emotional and more vulnerable, obviously, having eight tons of eyeshadow on isn’t really the right fit [laughs].

You’ve got a remix album coming out. When people start remixing your songs, how hands-on are you with that?

There were a couple of remixers that I actually really wanted to work with. Both Brad Walsh and Fonzarelli were people that I had been in touch with. So those were people that I kind of wanted to bring to the table, and then the label brought the other two guys, Bimbo Jones and Jason Nevins. And they’re both such great remixers, so I was really excited about the collection of DJs we had.

You also just did VH1 Unplugged. There’s such intricate production on so much of your album. How much of a challenge was it to rework and strip down your songs?

It’s funny, because certain songs work really well acoustically, based on, like, the melody or the style of the song – and then certain songs on the album really just don’t work acoustically. Some songs on the album are very melodically driven and lyrically driven, and then there’s other ones that are more about a groove, they’re more about a style, a sound, and an energy. So the ones that I’m doing acoustically are the ones that I felt were stronger in that regard, melodically, and not necessarily like dance songs. You couldn’t really do For Your Entertainment acoustically. It didn’t quite translate. It’s more of a club song.

Why did you choose If I Had You for your next single?

What I like about it is I think it’s really high energy, I think it’ll get people dancing, it’s really great for the summer. I love the blend of pop and rock on it. I definitely think the verses have this kind of great pop dance beat kind of feel, but then you hit the chorus, and even more so in the bridge, we have all these guitars and all this kind of indie guitar thing going on underneath it, so it’s kind of a blend of two different styles, which I love.

And I like the sentiment. I like what it’s saying. I think it’s a positive message, and I think that we have a lot of music right now that’s really fierce and sexy and fun and dramatic, but I just thought I did that with For Your Entertainment, and then with Whataya Want From Me it’s a little bit emo, a little bit kind of emotive and reflective, and I thought for my third single, it would be good to do something joyful and positive. And basically the theme of the song, as I’m sure you could kind of find in the lyric, is that no matter how much my lifestyle is fabulous, no matter how much money I’m making, no matter how much I’m traveling, if I don’t have a connection with somebody, or with people in general, it’s worthless. I really think it’s a great message. I think that’s something that needs to be reinforced, is that in this age of pop escapism, love kind of still needs to remain at the center of everything.

A lot of people, once they’re done with Idol, they don’t want to ever go near it again because they just want to sink or swim on their own and be out of the shadow. But I guess you don’t feel that way, since you’re going back.

I definitely don’t feel that way. I think Idol’s amazing. It’s a phenomenon. As an artist, that’s the reason why I wanted to audition is because of the type of exposure you could get and how you get to challenge yourself every week to try to make a song your own, and to show what you can do. And I think that if it weren’t for Idol, I have strong doubts that I would have ever been signed to a record label, first of all. I just think I was a little too left of center for a typical record executive to probably look at it and go, “Oh, that guy, let’s hire him, let’s sign him” [laughs].

I think with Idol, I owe everything that’s happened thus far to Idol and to the audience that supported me on it. So I love the idea of going back and kind of getting to perform my hit single on there and giving everybody a show. And then when they asked me to be a mentor I thought ‘cool, that sounds great.’ When I watched the past couple of years before auditioning for it, I always had ideas, I always had my own kind of opinions about the contestants. My friends and I at Wicked would sit backstage and argue about which one was the best one and why. I’m a pretty opinionated guy, so I think it’ll be really fun. I also had some experience last year during the show helping some of the other contestants, just bouncing ideas. So I think it’s something that I want to do to try to just help, you know?

This whole country is so divided right now in so many different ways, and yet I looked at Idol last season and I see these two guys who were complete stereotypical opposites, the small town churchgoer, the homosexual from SoCal, and I always thought the way that you and Kris showed solidarity and unity was a model that the rest of us could learn something from. Am I reading too much into that?

That’s a wonderful compliment, and I feel like I hope people could see that, and kind of be inspired by that, because it really shouldn’t frickin’ matter what your background is, what your religion is, what your sexuality is, what your color of your skin is. It’s like we should focus on our similarities as opposed to our differences and learn how to coexist. Kris and I were very different, but we get along great because we were both willing and wanted to and had the desire to get along.

I know it’s way too early to be talking about your next album in any kind of detail, but after going through the whole process of making this album and releasing it, have you had any general thoughts about things you’ll do the same or things you’ll do differently on future records?

I kind of think it’s still a bit too early to tell, to be honest with you. I definitely have people that I want to work with still, and people that I would work with again. I don’t know, I think it’s too early to tell. And that’s something too, is that we’ve just come back from the month long international promo to get the album out around the world, and that’s gonna interpret a lot of what I do next too, you know, cause now the album now is an international album and it’s reaching beyond just our country. So I have to kind of keep all of it in mind.

Your Twitter bio says “prepping for North American summer tour” – are there any more details you can share on that yet?

It’s still kind of all under wraps. I’m kind of coming up with ideas creatively, and the dates are all kind of tentative or being confirmed, that’s why I haven’t announced them yet. It’s gonna be pretty extensive though, as far as how many dates we’re going. And as far as I’m concerned, they aren’t necessarily arenas, but I’m gonna pull out all the stops for the production values as best I can. I think I’m gonna try to make it theatrical, environmental, and interactive, something that people who know the album will love, but then people who don’t know the album will really enjoy it as well. I think it’s gonna be something that’s really atmospheric.

Learn more at AdamOfficial.comiTunesMySpaceFacebookTwitter

Beatweek Magazine issue #66: Silversun Pickups, free App Store apps, Dropkick Murphys, new iPhone cases, Social Code, Daphne Willis and more

March 24, 2010 by · Leave a Comment 

It says something about the unusual path Silversun Pickups have taken to stardom that they got nominated for the “best new artist” Grammy three years after they first got popular. Now that Swoon has propelled them to even greater heights, bassist Nikki Monninger gives us a look inside the band’s world. We also talk with Boston’s Dropkick Murphys, Chicago’s Daphne Willis, and Canadian rockers Social Code.

On the tech side we look at thirteen App Store apps (all of them free!) along with new iPhone earbuds and seven new iPhone cases and shields.

Thank you to those of you who’ve been with us going back to 2004, and those who’ve found us along the way. In between issues, keep an eye on beatweek.com for new interviews and reviews published daily. And yes, Alan Jackson will grace the cover of Beatweek’s next issue.

Read this issue now

Subscribe

Beatweek Magazine issue #64: Lifehouse, Elliott Yamin, Daniel Merriweather, Riddim Ribbon, Elán, Laptop stands, iPod nano cases and more

March 2, 2010 by · Leave a Comment 

After spending the past decade cranking out hit songs, Lifehouse is at it again with today’s release of Smoke & Mirrors – and we’ve got the interview. We also talk with rising soul singer Daniel Merriweather, American Idol veteran Elliott Yamin, and Latin pop star Elán.

On the tech side we get hands-on with some new iPod nano cases, a bunch of laptop stands, and five new iPhone apps including the highly anticipated Riddim Ribbon app based on the music of The Black Eyed Peas (and just for fun we’ve also included our interview with The Black Eyed Peas).

Thank you to those of you who’ve been with us going back to 2004. In between issues, keep an eye on beatweek.com for new interviews and reviews published daily. And yes, the rumors are true – Jason Derulo will be on our next cover.

Read this issue now

Subscribe

iProng Magazine issue #60: Rosanne Cash, iPad, Fishbone and more

February 1, 2010 by · 2 Comments 

Can you believe we got to talk with Rosanne Cash? Neither can I. Her new album is based on a song list her dad once gave her (Johnny Cash, maybe you’ve heard of him too), and she’s an iPhone user.

Fishbone is one of the coolest bands of the past three decades. So glad they’re interviewed in this issue. And we take an expanded look at Macworld 2010, which is just around the corner, with Paul Kent. More iPad commentary, new iPhone and iPod nano cases, and a few iPhone apps on parade: Super Monkey Ball 2, GrooveMaker and Magellan GPS.

iProng Magazine: Music. Podcasting. iPhone. iPod. iPad. Social Media. All of the above, mixed into one magazine, along with anything else worth telling you about. Hope you enjoy this issue.

Much thanks,
Bill Palmer
Editor in Chief


Read this issue now
Subscribe

iProng Magazine #45: The Cabonauts and more

August 13, 2009 by · Leave a Comment 

iProng Magazine has released its 45th issue featuring a cover story interview with The Cabonauts and app reviews of Rolando 2 and Apimac Idea. Also interviewed: Heartless Bastards, Bobby Long, Adrina Thorpe Royal Bliss, and much more.

Tap here to read this issue

iProng Magazine #45: The Cabonauts, Heartless Bastards, Bobby Long, Rolando 2, Adrina Thorpe, Royal Bliss

August 13, 2009 by · Leave a Comment 

iProng Magazine’s 45th issue features a cover story interview with The Cabonauts, Heartless Bastards, Bobby Long, Royal Bliss, and Adrina Thorpe, along with app reviews of Rolando 2, Apimac Idea, and a dozen accessory reviews.
Read this issue now
Subscribe

Bottom